Thank you both for the answers, apologies if I ask questions that are covered in reference sources, but the only way of finding out the sources is asking!
How can I find out where I should be looking this stuff up if you experts didn't tell me?

And Mr Lawson, I really don't know where this post should go. I wanted to understand how the fabric was applied out of curiosity and as a reference for modelling.
Anyway, I did some web searching, and I found the answers I was looking for in this link, seeing your name on them, Mr Lawson, I've decided on them as the decals to buy!
http://www.best1hobby.com/image/eagl...e/eg72-035.jpg
I have one last comment about the pattern application. The lozenges are not regular polygons, being larger on one axis (to understand what I meant we will refer to this one as "length" and the shorter distance as "width", I probably got it backwards, oh well

)
I have noticed that the way the polygons are pointing their long sides is dependent of the method of attaching the fabric to the frame, wich is based solely on factory technique, and the size of the fabric pieces, it has in principle nothing to do with the mimetic effect.
The size of the fabric pieces and the alignment of the polygons would be in turn dependent on the way they are printed. From observation, it would be easier to make the roller with the long sides aligned along the rotation axe of the roller, so the fabric strip coming out of the roller would be like in this sketch
R------------------------------
O /\ /\ /\ /\ /\ /\ /\ /\ /\ /\
L | |L |o|z |e|n|g|e | | |
L \/ \/ \/ \/ \/ \/ \/ \/ \/ \/
E
R -----------------------------
After realizing this I understand there's a method to the madness of lozenge application. For example, on a wing , the lozenges are alinged that way with their long sides "sideways", pointing spanwise instead of chordwise because the way the fabric is printed on a cloth of a certain width wich in turns condition the way it can be attached to the frame, dictating the final orientation of the polygons.
This too explains why spanwise application is the least common , unless the chord of the wing matches closely the width of the fabric coming out of the roller, it would be the most wasteful method, (it also, IMHO spoils the mimetic effect, more on this below) In contrast, chordwise application is the most efficient method of application. Thanks to Dan San, we know the width of the print coming out of the roller, rounding up, that's 1.5 meter, average span of German fighters 9 meters, so that makes up 6 pieces for the wing.
Maybe there's also a structural factor into this. If there's a tear in the wing fabric, wouldn't be a several piece cover be more resistant than a single piece one?
I mean, I've the feeling that one long piece of stretched fabric is more stressed than a short one. And if a tear developed, in a single piece it could extend all along the wing, while in a multiple component one , the rip would follow the line of least resistance by ripping out at the seam, you would lose one section, but not the entire wing. But that's speculation on my part
Ailerons and elevators are covered spanwise because they are done in one piece, thus it's only logical that the fabric is cut paralell to the long edge of the piece.
And finally, diagonal application, this, to my understanding doesn't involve cutting the fabric out of the roller in diagonal, but applying the full width strip of fabric at an angle to the frame.
I think that maybe the reason for this is that it cuts down (pun) on cutting and sewing operations. Maybe you can cover a wing with 2 diagonal cut pieces instead of covering it with 3 chordwise pieces.
Perhaps this would be used on Albatros lower wings, for example.
Now this is odd
Quote:
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3.- DIAGONAL - When this was done the pattern could go either way, or both ways. Sometimes the diagonal pattern went opposite directions on either wing.
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I think he means the way the diagonal sewn lines go, with 4-half wings, that offers 8 possible combinations (on top surfaces, I would assume the lower surfaces were the same slant as on top)
slanted right / slanted left \ arrow left < arrow right > inverted vee ^
vee V, diamond, and X
I'd eliminate the last three as implausibe, if all the pieces have the same inclination, then it heightens the mimetic effect because the lozenges are aligned in a direction that breaks the outline of the plane. Having the long sides of the lozenge aligned with the flight direction of the plane as in the spanwise method spoils the effect, specially in motion.
On the other hand, the chordwise application method on the wings, and the fuselage covering have the lozenges with their widest/longest dimension perpendicular to the direction of flight. I believe this result to be intentional, and fills oneself with awe at the genius of the designer of the pattern.
And finally
Quote:
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The fuselage was usually covered lenghtwise, from nose to tail, but sometimes the top decking was covered at right angles to the sides
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I take that this means that instead of having a single strip applied lengthwise, several shorter pieces were used with the lozenge alignment perpendicular to the fuselage sides. right?
Maybe all this is absolutely obvious and self evident to the wise men in this forum, but for a profane in the subject it comes as a revelation!
Comments wellcomment !