Quote:
Originally Posted by DaveF
The Knowlton Fokker has probably remained so original BECAUSE it hasn't been in a specialist aircraft museum, who would have 'restored' it!
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This is a good point in terms of understanding why it was not restored, but I don't think should it would necessarily suffer that fate today in a major aviation museum. David is correct in that museums do sadly lose items or mistreat them at times. That aside, I'm under the impression that the trend to restore all aircraft to "Factory new" condition has been diminishing in recent years as museums become more aware of the value to be had in retaining as much of the original artifact (aircraft) as possible even if being restored (not rebuilt) lightly.
I am speaking almost exclusively of non-flying museums since airworthiness standards require extensive rebuilding in many cases.
When it comes to casting a critical eye on the actions of museums in the past that have "restored" aircraft and thus potentially lost important original date (even if attempts were made to document it) one needs to look at the context, as in most historical issues. If these restorations were done decades ago, the prevailing wisdom of the day was to do such restorations. In other cases the aircraft may have been disassembled or in terrible condition when they received it and there was little choice but to restore it in order to make a suitable display piece.
For example the "original" DVII at the Canada Aviation Museum came to them with a Hall Scott engine and currently sits with no fabric and disassembled in their storage wing. Sure it’s an original airframe, and sure it’s a shame that it is in the condition it is, but what is the museum to do?
These questions are faced by all museums and the answer depends on many things including the prevailing museological techniques and attitudes of the day, and of course available funding.
In the case of this DVII, I agree that it has been preserved in its current state thanks to it’s rather out of the way and undisturbed location. If it must move, one would only hope it is to a place that will preserve its originality.
There are enough "restored original" DVIIs out there.
Perhaps the unrestored condition of the CAM's AEG Bomber or Junkers ground attack aircraft are indications of their current attitude towards German War Prizes and originality. This in contrast to their original Naval Camel (and other aircraft) that were extensively restored by Carl Swanson many years ago.
Sorry for the diversion from strictly discussing the fate of the Knowleton DVII, but this seemed an appropriate opportunity for a diversion into museum practice and how it has changed over time.
Sincerely
Edward