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| Art Topics related to WWI aviation artists, art, aircraft profiles, 3D rendering, etc. |
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5 March 2007, 01:16 PM
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#21 (permalink)
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Have Goggles Will Travel!
Contributor
Join Date: Feb 2004
Location: california
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another idea
Last edited by AAC Cadet Leader; 5 March 2007 at 01:18 PM.
Reason: ignore the white out - it's just a rough quick sketch
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5 March 2007, 01:28 PM
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#22 (permalink)
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Forum Ace
Join Date: Oct 2003
Location: Charlotte, NC
Posts: 1,574
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Much better than the last one. Two things, though:
- the figure propped up on the wheel gets a little lost against the aircraft. don't know if he's supposed to be the subject or if the plane is supposed to be the subject. if its the plane, you're right on. if its the figure, you better hit the drawing table again.
- that same figure's pose (propped up on knee) bothers me a little, but thats just my preference. i think the problem that i have with it is that all of the comtemporary photos that you see tend to show the figures in more stiff, austere, formal poses. not saying they didn't relax and lean on a knee back then, but somehow, to me, it looks a little out of place.
russ
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5 March 2007, 01:30 PM
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#23 (permalink)
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Forum Ace
Join Date: Oct 2003
Location: Charlotte, NC
Posts: 1,574
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the pose - i know what it is that bothers me. it has sort of a "y'all comeback, now, ya' hear?" feel to it.
russ
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5 March 2007, 01:34 PM
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#24 (permalink)
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Have Goggles Will Travel!
Contributor
Join Date: Feb 2004
Location: california
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hahahaha
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5 March 2007, 01:43 PM
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#25 (permalink)
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Have Goggles Will Travel!
Contributor
Join Date: Feb 2004
Location: california
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Quote:
Originally Posted by Russell Smith
Much better than the last one. Two things, though:
- the figure propped up on the wheel gets a little lost against the aircraft. don't know if he's supposed to be the subject or if the plane is supposed to be the subject. if its the plane, you're right on. if its the figure, you better hit the drawing table again.
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it's both - actually the pilot, the mechanic and the DVII are supposed to be the features with another (or two) portraits in the background figures.
Quote:
- that same figure's pose (propped up on knee) bothers me a little, but thats just my preference. i think the problem that i have with it is that all of the comtemporary photos that you see tend to show the figures in more stiff, austere, formal poses. not saying they didn't relax and lean on a knee back then, but somehow, to me, it looks a little out of place.
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actually, i'm taking the mechanic's pose against the wheel from a 1917 photo. i will draw him more convincingly in subsequent versions. am still just scribble-doodling at this stage. thanks for the feedback russ! and y'all come back now, ya hear?
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5 March 2007, 01:54 PM
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#26 (permalink)
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Forum Ace
Join Date: Oct 2003
Location: Charlotte, NC
Posts: 1,574
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Quote:
Originally Posted by AAC Cadet Leader
it's both - actually the pilot, the mechanic and the DVII are supposed to be the features with another (or two) portraits in the background figures.
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its a matter of scale. the DVII is so large here that it dominates the composition. if the pilot & mechanic are supposed to have equal importance to the DVII, they won't in this one. they'll be lost. consider cropping in like the last comp. don't be afraid to lose part of the plane. you can still capture the great lines and character of the DVII without showing all of it. that way, the plane-to-figure ratio will be more balanced.
Quote:
Originally Posted by AAC Cadet Leader
actually, i'm taking the mechanic's pose against the wheel from a 1917 photo. i will draw him more convincingly in subsequent versions. am still just scribble-doodling at this stage. thanks for the feedback russ! and y'all come back now, ya hear?
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good 'nuff
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5 March 2007, 02:12 PM
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#27 (permalink)
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Have Goggles Will Travel!
Contributor
Join Date: Feb 2004
Location: california
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Quote:
Originally Posted by Russell Smith
its a matter of scale. the DVII is so large here that it dominates the composition. if the pilot & mechanic are supposed to have equal importance to the DVII, they won't in this one. they'll be lost. consider cropping in like the last comp. don't be afraid to lose part of the plane. you can still capture the great lines and character of the DVII without showing all of it. that way, the plane-to-figure ratio will be more balanced.
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hmmm...
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5 March 2007, 02:20 PM
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#28 (permalink)
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Forum Ace
Join Date: Oct 2003
Location: Charlotte, NC
Posts: 1,574
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bettuh and mo' bettuh. play around with it some more. try some differnt angles. you're getting there.
russ
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5 March 2007, 02:37 PM
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#29 (permalink)
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Forum Ace
Join Date: Jul 2003
Location: A Place Far, Far Away
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what about dale evans and roy rogers action figures?
__________________
"A King may move a man, a father may claim a son,
but remember that even when those who move you be Kings,
or men of power, your soul is in your keeping alone.
When you stand before God, you cannot say,
"But I was told by others to do thus."
Or that,
"Virtue was not convenient at the time."
This will not suffice.."
-Baldwin Four of The Baldwin Piano Company
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6 March 2007, 11:39 AM
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#30 (permalink)
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Forum Ace
Join Date: Nov 2001
Location: Schorndorf - Germany
Posts: 2,489
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My vote would be for the first sketch on top of this page.
True, a lot of distraction from the main focus, but then again, on the other hand, a lot to discover....
It is coming along great! Love to see you develop all this ideas!
Cheers!
Achim
Last edited by AchimEngels; 6 March 2007 at 11:45 AM.
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Tags
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portrait, pilot, palette, painting dvii, oil painting, mechanic, m esch, hangar, germany, fokker dvii, factory, artworksinprogress, aeroplane, acrylics, achim, rendering  |
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