Bonjour mes amis!
I was fortunate to obtain a copy of Nieuports in RNAS, RFC and RAF Service produced by Cross & Cockade International, having been compiled by Ray Sanger ... without doubt a great book! The volume is replete with detail and anecdote as well as photographs and art. Among the many facts learned was the that, apparently, the oft celebrated Nieuport B.1566 flown by
Billy Bishop was not a Nieuport 17, but, actually a Nieuport 23, albeit with the upper wing of the 17 type.
Another fact assumed to elemental proven to be false! Of course we all know that the career of Bishop is rife with controversy, so, perhaps we should not be surprised that yet another assumption has been left open to revision. As a result I began to look through various volumes and was struck by the realization that, with the exception of
Manfred von Richthofen and Fokker Dr.1 425/17, there may have been no other pilot and aircraft combination of The Great War more often illustrated than that of Bishop and B.1566.
So, as with recent threads, I have endeavored to compile some of the many images of the man and the machine.

War in the Air by C.R.W. Nevinson
C.R.W. Nevinson wrote that the painting, created in 1918, depicted on the aerial fights of Billy Bishop. It would seem that, having been commissioned to create the image for the Canadian War Memorials, Nevinson found the task of imagining aerial combat so difficult as to been made ill. The painting is, I believe, currently part of the collection of the Canadian War Museum.

An Incident On The Western Front by Louis Alexander Weirter
Louis Alexander Weirter was a talented man who developed methods and devices for field sketching and range and altitude measuring. During The Great War he served as a balloon observer and as such claimed to have seen Billy Bishop in combat. Some controversy exists about just what incident the painting An Incident On The Western Front is purported to depict: the winning of the Victoria Cross or one particular combat at significant altitude.
An essay about the painting and the artist written by Philip Markham may be found in Over The Front, Volume 10 Number 3 Fall 1995 (which also includes an article which note the markings of B.1556 by Markham and Greg VanWyngarden).
It is interesting to note the similarity of the two paintings, perhaps a coincidence, but, the work by Nevinson is know to have been completed before the work by Weirter.
Kirk