Bonjour mes amis!
George Evans was one of the great illustrators and despite the gradual and eventual collapse of E.C. was always able to find work. DC was to be a source of employment, but, not, ultimately, as one would have thought. Despite publishing, perhaps, the most renown Great War Aviation series, Enemy Ace, Evans was never to illustrate the title.
Evans related that upon being introduced to Robert Kanigher who edited the various war based titles published by DC: "he looked at my portfolio and said, "Oh, you're one of those bastards from E.C. who ruined the whole industry and now you think you're going to move in here and we're going to pay you?" Though Evans did do work for DC cooperation with Kanigher was limited. As Kanigher was the creator of Enemy Ace, Evans, it would seem was kept from illustrating the title ... though John Severin, who worked for E.C. would ...
Nonetheless the man was so great a talent that work was provided by DC no mater the personal differences and as a means of displaying the passion supporting stories to various titles were given to Evans to write and illustrate ...
THE ACE AND THE Joker was a remarkably detailed story told in seven pages about a pilot named Bix Benton and a Sopwith Camel called The Beast. Benton joins "THE INTERNATIONAL SQUADRON but flys a Sopwith Camel that cannot be controlled. Evans, as always, displays a remarkable attention to detail.

From The ACE AND THE Joker, OUR ARMY at WAR, NO.200 (1968)
Other tales illustrated by Evans for DC were in the traditions established by E.C.; fictional accounts depicting the reality of war and biographical features about pilots.

From MUD AND SKY, G.I. Combat NO.158 (1973)

From The AEGEAN EAGLE!, G.I. Combat NO.164 (1973)
Salut!
Kirk