HOW TO BUILD AIRCRAFT DIORAMAS

[JohnReid]

[JohnReid]

This is the pic that first inspired me to do a backyard flier.Somebody identified it as a Wright brothers copy, which is wrong for a number of reasons.Besides that, what is really interesting is that the builder looks like he was experimenting with some type of design for longitudinal control, other than wing warping ,a patent at the time that was jealously guarded by the Wrights.If you look carefully at the pic you will see a hinged flap sort of design outboard near the wings leading edge.He has cut the ribs at the spars and hinged it to the trailing edge of the front spar on both upper and lower wings.There also seems to be the beginning of some sort of rigging for their control.If this is what I think it is Mr Mair was surely involved with some very early innovative and creative aeronautical engineering.
I love this pic as it tells so much about the human creative spirit.Don't forget this is 1910 when many looked upon aviation as a oddity and a foolish thing to pursue.I can only speculate what his family and neighbors might have thought.

[JohnReid]

duplicate post

[JohnReid]

[JohnReid]

I was going to use 3 different colored bricks as seen in this pic, but I am afraid that those long vertical lines between brick wall separations may distract the viewers eye away from the airplane to the wall.
When I first look at this pic I see the policemen,then the brick wall and then the cars.In my diorama.I am looking to reverse this a bit and put less emphasis on the building and more on the airplane.The figure because of its position in the diorama would not be the first thing the viewer would notice but would probably be replaced by the "welcome home" sign.
I know that I seem to be going overboard with all this but it really is very important to the success of diorama.The connections to the storyboard part will come after the initial visual impact.The solitary figure,the sign,the weathered flier,the different backyards etc..will come later into the viewers imagination. (I hope)

[JohnReid]

More what to leave in and what to leave out decisions that I soon will have to make is regarding the flier itself.As you guys who have been following this thread already know,my storyline is a lot different than what is depicted in the original pic.
As it is already it would make a very nice story about an early EAA'er building a flier.The very busy Mr. Mair working intently on his flier pretty much unaware of all the things going on around him. The kids more fascinated by the lady with the dog (I think but hard to see) ,the boys sitting on the fence either too shy to approach because of the girls(this is 1910 remember) or maybe Mr Mair doesn't want them around his airplane.The washing on the line etc..etc leads me to believe that the photographer really knew what he was doing when he created this composition.Mr. Mair himself was probably staged but the rest is probably spontaneous.A wonderful "slice of life" story in itself.
I have however decided to cut down on the complexity of the story .I want to make it simpler but with more emotion.My story revolves around a single individual and his relationship with his love for aviation.It is a story of the loss of innocence both of the individual and aviation itself.What seemed like such a wonderful,innocent thing to do in the beginning now turned out to be just another instrument of war.Looking at his flier he is probably wondering "can I bring myself to complete it" knowing now what I know to be true?
The feeling among the general population after all the killing in WW1 was not very positive about machines of war,airplanes included.Most fathers would not encourage their sons to become pilots.Most pilots couldn't even find jobs other than exhibition pilots or barnstormers.So it was the mood of the times that I want to capture in my diorama.I am not sure that everyone will get it but I bet a pretty high percentage of servicemen will.Those who don't will still have something interesting to look at.

[JohnReid]

A fellow modeler has just informed me that these buildings on Fullerton St in Chicago still exist,in fact he lived not too far away on the same street in the 1970's.
Art is truly a living thing and does provide us with a little comfort knowing that it does really have a life of it's own, beyond the lifespan of the individual artist.
I wish I knew the photographers name ,in his day he would be at the top of his game which really comes through to me in the pics.In fact ,that is what first caught my "artist's eye" ,the creative angle from which the pic was taken.Rather than just the usual airplane pic he captured a story which lives on to this day.100 years ago an artist/photographer takes a pic and all these years later an artist/modeler builds on the foundation of his work.Maybe a 100 years from now, using a medium that we can't even imagine today ,another artist will be influenced and expand on our work.And so it goes.........

[rexee]

Originally Posted by JohnReid

John
One thing that strikes me is how the heck did they plan to get the machine out of the yard? I would be surprised if the early machine were designed to break down.Great project BTW

Rex

[JohnReid]

Rex,since when would an EAA'er let a fence or even a basement wall stand in the way.By the way I doubt that it ever left the backyard, although part of me would like to believe otherwise.

[JohnReid]

Duplicate post.